‘Splinter Mine’
Alexander Ouchtomsky’s cut and paste technique throws disparate objects together – gold fish/motor vehicle, jonquils/candelabrum. The dioramas, built up in layers of foam core, create the kind of futuristic landscapes you might find in a wormhole, space-hopping through abstract timescales.

Chapter House Lane, the first four months
Telecki is hesitant to brand action or inaction as failure, as different cultures and systems define it differently. Similarly, in her work, foolishness and pointlessness are only surface traits; what’s more lies beneath.